1
10
24
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bf5180aea66117b5337c9d27834d0bde
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Seeing Suffrage at the Delaware Art Museum
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Women's Equality
Creator
An entity primarily responsible for making the resource
Marisol, French artist, 1930–2016
Description
An account of the resource
Elizabeth Cady Stanton (left) and Lucretia Mott (right), two leaders in the 19th-century women's movement, are depicted with hands clasped in bright colors. At lower center, an extended hand reaches towards the women's joined hands.
Source
A related resource from which the described resource is derived
Delaware Art Museum, Gift of Lorillard, a Division of Loew's Theatres, Inc., 1975
Publisher
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Styria Studio Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
1975
Rights
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© Marisol. Licensed by VAGA, New York, NY
Format
The file format, physical medium, or dimensions of the resource
15-color lithograph, 34 1/2 × 29 3/4 in. (87.6 × 75.6 cm)
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acbfa0e1c612a137fa13ea6e87634f90
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Seeing Suffrage at the Delaware Art Museum
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Women at the Polls in New Jersey in the Good Old Days
Creator
An entity primarily responsible for making the resource
Howard Pyle, American illustrator, 1853–1911
Description
An account of the resource
A group of elegant women at center-left are depicted casting their votes at a desk. The rest of the room is filled with male figures of different ages and social classes, who watch the women and speak among themselves.
Source
A related resource from which the described resource is derived
HathiTrust Digital Library, original from the University of Michigan
Publisher
An entity responsible for making the resource available
<a href="https://babel.hathitrust.org/cgi/pt?id=mdp.39015021733699;view=1up;seq=658"><em>Harper's Weekly Magazine</em>, vol. 24, November 30, 1880, p. 724</a>
Date
A point or period of time associated with an event in the lifecycle of the resource
1880
Rights
Information about rights held in and over the resource
Public domain
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de413676212a83552d48dbe90dc1d130
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abbea6e628350d342585b503a7b1cd6b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Seeing Suffrage at the Delaware Art Museum
Dublin Core
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Title
A name given to the resource
Women at the Polls
Description
An account of the resource
<p>Colonel Higginson is reported to have said the late Convention for equal suffrage in Worcester that the failure of women to vote at the school elections showed that they did not care to vote, and that when they showed the wish, the right of suffrage would be granted. As a statement of the fact of the indisposition to vote, this remark is undoubtedly true. The number of women who wish to vote is very small, and, so far as our own observation extends, the diligent efforts of those who insist that they ought to wish to vote do not produce much effect. Yet it is unquestionably true that laws made by men exclusively have often been very unjust to women. A quarter of a century ago Mr. Gladstone denounced some such laws as a reproach to England and to civilization. But there is a constant amelioration of harsh laws, and despite the injustice it remains true that women at large are not greatly interested in the movement for their enfranchisement.</p>
<p>But because women who do not feel disfranchisement to be unjust are different, shall those who do feel the injustice be denied the right? The question is much like that of all emancipation. It is not whether the individual slaves or any considerable number of them wish to be free, but whether slavery is not necessarily hurtful to the whole community. The principle of popular government is the participation of all intelligent adult citizens under equal considerations. How can a political community wisely contemn its fundamental principle even although the disregard does not threaten it with immediate disaster? Is not permanent disregard of conceded rights dangerous demoralizing? And what reason is there in the argument that a hundred persons who are qualified to do something, and desire to do it, should not be allowed to until a thousand who are equally qualified, but have no desire, shall change their minds?</p>
<p>The extension to women of the right of voting at school meetings in New York was evidently not the result of an overwhelming wish of the women in New York to vote at school meetings, as the elections of the 12<sup>th</sup> of October proved. The law was passed because there was no good reason against it. The Legislature said that if Mrs. A., whose children went to the school, and who was taxed to maintain it, wished to have a voice in the disposition of the money and the management of the school, she should not be debarred because Mrs. B. thought it would be a great nuisance. We understand the difficulties. But the principle is sound that in a popular government the whole adult intelligence should take part. If women are competent to vote at school meetings, they can not, on other questions involving the common interests of the sexes, be classed fairly with criminals and lunatics. This was the conviction of the people of New Jersey many years ago, and women were enfranchised and voted. The charming picture drawn for the Weekly by Mr. Howard Pyle, which appears in this number, is a glimpse of the quaint and old times, and is in itself a pleasant argument. There is nothing disagreeable or unwomanly in the expression of interest and preference which is indicated by casting the ballot in this drawing, and there is an intimation of the humanizing and refining influence which would result from the voting of women upon subjects which they have a common concern with men—an influence which is felt in every fair association of men and women.</p>
Publisher
An entity responsible for making the resource available
<a href="https://babel.hathitrust.org/cgi/pt?id=mdp.39015021733699;view=1up;seq=657">Published in <em>Harper's Weekly,</em> Vol. 24, November 13, 1880, 723.</a>
Source
A related resource from which the described resource is derived
HathiTrust Digital Library, original from the University of Michigan
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96de35527d18a0ab00b3b9fe9ce4f54e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Seeing Suffrage at the Delaware Art Museum
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
When Women Vote. What Will Happen if the Polling Place is Located in a Millinery Shop.
Creator
An entity primarily responsible for making the resource
Gordon Grant, American illustrator, 1875–1962
Description
An account of the resource
A group of girls are depicted in style reminiscent of Charles Dana Gibson, standing in a shop trying on ornate hats. At left, an insert depicts women looking into a hat shop window where a sign reads "vote here."
Source
A related resource from which the described resource is derived
HathiTrust Digital Library, original from the University of Minnesota
Publisher
An entity responsible for making the resource available
<a href="https://babel.hathitrust.org/cgi/pt?id=umn.31951002801295r;view=1up;seq=230"><em>Puck</em>, Vol. 65, No. 1678, April 28, 1909</a>
Date
A point or period of time associated with an event in the lifecycle of the resource
1909
-
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2aa71a03384a30aee60e3cce646725f6
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Seeing Suffrage at the Delaware Art Museum
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
When Women Vote
Creator
An entity primarily responsible for making the resource
Gordon Grant, American illustrator, 1875–1962
Description
An account of the resource
A group of girls are depicted in style reminiscent of Charles Dana Gibson, standing in a shop trying on ornate hats. At left, an insert depicts women looking into a hat shop window where a sign reads "vote here."
Source
A related resource from which the described resource is derived
Delaware Art Museum, Gift of Joseph P. Fraczkowski, 1988
Publisher
An entity responsible for making the resource available
<a href="https://babel.hathitrust.org/cgi/pt?id=umn.31951002801295r;view=1up;seq=230"><em>Puck</em>, Vol. 65, No. 1678, April 28, 1909</a>
Date
A point or period of time associated with an event in the lifecycle of the resource
1909
Rights
Information about rights held in and over the resource
Public domain
Format
The file format, physical medium, or dimensions of the resource
Ink and gouache on illustration board, 16 × 22 1/4 in. (40.6 × 56.5 cm)
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ba95ab6c6304d77b60e5398bdd2e2f9e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Seeing Suffrage at the Delaware Art Museum
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Votes for Women
Creator
An entity primarily responsible for making the resource
Leighton Budd, American illustrator, active early 20th century
Description
An account of the resource
Top image:
A group of finely-dressed women are depicted walking to the right. Each woman holds up a letter, spelling out the phrase "Votes for Women."
Middle image:
Met with opposition from two police officers at the right, the women turn back, their signs getting disorganized until the only letters held aloft spell "Frost."
Bottom image:
The women walk back towards the left in a single file line, their letters now reading "No Votes For Em." A woman is depicted at the right lowering her sign with the letter "W."
Source
A related resource from which the described resource is derived
Delaware Art Museum
Publisher
An entity responsible for making the resource available
<em>Puck</em>, September 22, 1909
Date
A point or period of time associated with an event in the lifecycle of the resource
1909
Rights
Information about rights held in and over the resource
Public domain
Format
The file format, physical medium, or dimensions of the resource
Commercial relief process with hand-coloring, 11 × 7 15/16 in. (27.9 × 20.2 cm)
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10c4c300a27f8ee010335a7af5fbd4c4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Seeing Suffrage at the Delaware Art Museum
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Mean Thing
Publisher
An entity responsible for making the resource available
<em>Puck</em>, vol. 65, July 14, 1909. Hathi Trust, original from the University of Minnesota.
Date
A point or period of time associated with an event in the lifecycle of the resource
July 14, 1909
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d50f3a14659a3d242621ea824466f23f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Seeing Suffrage at the Delaware Art Museum
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The 1920's... The Migrants Arrive and Cast Their Ballots
Creator
An entity primarily responsible for making the resource
Jacob Lawrence, American painter, 1917–2000
Description
An account of the resource
People taking part in voting are depicted in a stylized, semi-abstract manner in bright red, blue, white, ocher, brown, and black hues.
Source
A related resource from which the described resource is derived
Delaware Art Museum, Gift of Lorillard, a Division of Loew's Theatres, Inc., 1975
Publisher
An entity responsible for making the resource available
Ives-Sillman Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
1975
Rights
Information about rights held in and over the resource
© The Jacob and Gwendolyn Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York
Format
The file format, physical medium, or dimensions of the resource
Seven-color screen print, 32 × 24 7/8 in. (81.3 × 63.2 cm)
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dfc1597c581d5e88990a5cd39e250ce7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Seeing Suffrage at the Delaware Art Museum
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Socialist Party Suffrage for Women Campaign Fund
Creator
An entity primarily responsible for making the resource
John Sloan, American painter, etcher, and illustrator, 1871–1951
Description
An account of the resource
A drawing of a man and woman facing one another flanking a hand holding a torch in front of a globe. The text reads "Socialist Party" and "Suffrage for Women Campaign Fund."
Source
A related resource from which the described resource is derived
Delaware Art Museum, Gift of Helen Farr Sloan, 2000
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1913
Rights
Information about rights held in and over the resource
© Delaware Art Museum / Artists Rights Society (ARS), New York. Not for reproduction or publication.
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63c42a89f60f66844d6fb48d6f1ee3c0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Seeing Suffrage at the Delaware Art Museum
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sketch for Women at the Polls in New Jersey in the Good Old Times
Description
An account of the resource
A cluster of women in a room is lightly rendered in pencil. Seated figures flank the central women at lower right and lower left.
Source
A related resource from which the described resource is derived
Delaware Art Museum, Gift of Willard S. Morse, 1925
Publisher
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Published in <a href="https://babel.hathitrust.org/cgi/pt?id=mdp.39015021733699;view=1up;seq=658"><em>Harper's Weekly</em>, Vol. 24, November 13, 1880, 724.</a>
Date
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1880
Rights
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Public domain
Format
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Graphite on gray-green paper, 8 1/4 × 11 9/16 in. (21 × 29.4 cm)
Creator
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Howard Pyle, American illustrator, 1853–1911